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The main exhibition, Threads: A Fantasmagoria about Distance, was curated by the renowned French theorist Nicolas Bourriaud and hosted in the autumn of in the important but currently unoccupied building of the Central Post Office in Kaunas, Lithuania. Conceptuality, social topics and ties with undecorated reality have been the drives of the biennial for many years.

Fromthe event was renamed Kaunas Biennial.

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Its uniqueness and energy are fuelled by ideas instead of materiality, shapes or svorio metimo hoover al. Due to the wide range of partners in the field, textile works and techniques were still predominant in the biennial ofalbeit in connection with contemporary dance. But they were no longer relevant in the Unitext biennial inwhich focused on the personal accounts and eloquence of artworks, and in the Networked biennial ofwhich was staged in unconventional, derelict locations and featured a combination of image and sound.

The latest biennials looked into the relationship with the city where the textile industry has always been an integral part of urban development. That could have been a perfect ending to the series of important events and publications. The idea to publish the fourth catalogue of the project introducing interventions of the Networked Encounters, funded by svorio metimo hoover al EU programme Creative Europe, into post-industrial spaces was born the moment we opened the doors to the derelict textile factories in Kaunas and their former glory.

The spaces magnetised, stoked our imagination and inspired new, previous unplanned works. All of the works of the series presented in the Kaunas factories were created during the project implementation and were closely tied to the history of the Drobė factory and the Synthetic Yarn Factory and their impact on urbanisation, economy and morale during the Soviet period of industrial prosperity, as well as to their significance in the context of the modern city.

Our partners organised an intervention of audiovisual installations and community arts in the former Dalmacijavino winery, which has suffered a fate similar to that of the Lithuanian textile factories in which the bankrupt company was sold and resold.

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It has been closed for two years now, but still smells of wine and waits for a new purpose and history. Thus the accounts and stories in this publication are Transeuropean as well as personal.

By introducing svorio metimo hoover al Kaunas to its visitors, the 10th Kaunas Biennial showed its own post-textile identity. By the event had become the hottest and most innovative European contemporary textile event. It was 4 I wish you a good documentary journey to the places that are currently undergoing imminent change. They will never be the same as in their peak times and during the artistic interventions initiated by this project.

Virginija Vitkienė V. Šalia svorio metimo hoover al bienalės katalogo ir atskiro N. Bourriaud parodos katalogo, išleidome analitinių tekstų ir interviu knygą, kurioje žymūs kuratoriai ir filosofai analizuoja šiuolaikinio meno bienalių fenomeną bei iššūkį būti globalias problemas analizuojančiu reiškiniu, o kartu pasiekti vietines auditorijas sudarytoja Daiva Citvarienė, tekstų autoriai Lewis Biggsas, Marieke van Hal, Nicolas Bourriaud, Michaela Ott ir kt. Nuo ųjų renginys vadinasi Kauno bienalė, jo unikalumą ir energiją kursto ne medžiagiškumas, forma ar medija, bet idėjos.

Tačiau aktualus santykis su savo miestu, kurio raida yra neatsiejama nuo tekstilės pramonės istorijos. Tad atsiremdama į globaliai skatinamą vietos kontekstualizavimą, Kauno bienalė prie tekstilės industrijos zonų sugrįžo dvejopai —analizuodama ir miesto istoriją, ir savą istoriją.

Šio leidinio pasakojimai ir istorijos tad yra europinės, bet ir asmeninės. Galėjome taip ir užbaigti šį prasmingų renginių ir leidinių ciklą. Bet nepavyko. Erdvės magnetizavo, kurstė vaizduotę, net inspiravo gimti naujus, iki tol nesuplanuotus kūrinius.

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Nenuostabu, kad gilias tekstilės pramonės ir prekybos tradicijas turin- Svorio metimo hoover al Vitkienė V. Renginys buvo pastebėtas dėl sąmoningo atsisakymo į tekstilės meną žvelgti dekoratyviai. A long tradition of craftsmanship in the city dates back to the 16th century, and the textile industry has always been closely connected to Lithuanian culture and folk art. Between the 17th and 19th centuries, power looms were used only by manor manufacturers.

These small svorio metimo hoover al produced linen, woollen and decorative fabrics. In the second half of the 19th century, Kaunas joined the Hanseatic League and its trade centre the present-day Old Town saw an increase in hosiery, textile and wadding factories as well as tailors and millinery shops, all of them using local raw materials. Gertrūdos Street and Birštono Street, employing some workers. The first decade of a newly independent Lithuania in Kaunas circa.

New companies processed local and imported raw materials, and major factories were set up in rebuilt and repaired buildings. Renewed production had different priority goals, with the focus shifting away from the defence industry towards the needs of a developing, peaceful society. The lack of natural resources in Lithuania determined the growth of light industry and the processing of raw materials, such as wool and flax.

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Insmall craft companies in Kaunas employed around five workers each, while an evaluation of the industry carried out in showed that labour had already reached peace-time level. The sharp increase in industry production including textiles may have been influenced by the favourable attitude of the state.

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The Lithuanian government implemented a protectionist duty policy with large tariffs on imported textile products and small tariffs on raw materials. The government took measures to curb imports and keep Lithuanian money at home.

The textile industry built in independent Lithuania has managed to carve out an important place within the national economy.

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Thus Kaunas offered favourable conditions for textile factories. There were several areas in the city with a high concentration of textile companies during the interwar period.

The companies Audimas, Tangoras, Nerilit, Pluoštasand Vatolit all operated in the former metal factory of the Šmitas brothers in Šančiai. One of the buildings of the Tilmansas brothers was occupied by Kauno Audiniai, and another by the wool fabric factory Liteks. A number of textile companies were also based in the industrial district of Vilijampolė. Interwar textile products were of a high-quality.

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Fine Lithuanian combed suits, woollen fabric, linen fabric svorio metimo hoover al tablecloth as well as cotton fabric were all in svorio metimo hoover al demand.

Many companies used state-of-the-art looms and many workers were trained by foreign specialists. Factories had wide automatic baize looms. For example, the leading silk weaver in Lithuania, Kauno Audiniai, was praised for its good working culture. It used productive crêpe yarn spinning machines and modern silk looms. The Drobė company became the flagship of the Lithuanian textile industry and its products were used to make all sorts of uniforms for the Lithuanian military.

The company also manufactured the standard of the national flag of independent Lithuania. Products produced by the knitting factory Cottonwere awarded a gold medal at the Brussels exhibition of The growth of the textile industry during the postwar Soviet period had a significant impact on urban development throughout Lithuania. In quantitative terms, the period was the most important during the history of the country.

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With the help of the construction industry, scientists and architects, under the supervision of the government, entire industrial and residential areas were developed and landscapes transformed. Clearly regulated urban development was supposed to reflect the needs of the centralised economy of the Soviet Union. Kaunas lost its status as the capital in and was assigned a new function. The cultural, political and economic centre of interwar Lithuania was transformed into one of the bfbm svorio metimo rezultatai industrial areas in the country.

  • Обнаружив легкое недовольство на лице Николь; Ричард улыбнулся самому себе и пересек комнату, чтобы взять ее за руку.
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Textile production had an important role to play in this context. During the first years of the Soviet occupation, the industry was even developed in the city centre the silk factory Kauno Audiniaiwhich caused a constant growth in production capacity, especially from the s onwards. The fruits of their labour are beautiful: 3. Kaunas textile makers svorio metimo hoover al produce three times more wool fabric and seven times more silk fabric per year than svorio metimo hoover al entire Lithuanian industry in The textile industry also included knitting products such as socks, shirt and bedding.

There was also a sewing industry, and a separate but related sector of small tailor shops categorised as household services. The environment was also influenced by trade peculiarities determined by the subsistence dwelling, Germ.

Я должен что-то сделать, чтобы помочь Эпонине. Хотя бы для очистки совести. - Но что ты можешь сделать, Макс. - спросила Николь, чуть помедлив. - С внешним миром нас теперь связывает только этот поганый вагон, - ответил Макс.

They can be made from simple, cheap materials. Winter clothes can be tailored from white flannel, while indoor garments can be made from easily washable cotton fabric such as flannel, velvet, sateen or percale.

Flowered and multi-coloured fabric is preferred for girls, and even tones or fine chequers for boys.

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Styles should be simple to facilitate washing and ironing. During the interwar period, the development of the industry was determined by high domestic svorio metimo hoover al and a demand for new, cheaper products. The concentration of textile industry companies in Kaunas can be explained by the large number of skilled workers and industrial buildings dating back to the Imperial Russian period. The industry motto in the capital, From Timber to a Dress, reflected the aims and ambitions of the new nation, resulting in the mechanism of promotion of national production consumption.

Although the cogs of that mechanism were rearranged during the Soviet period, textile remained one of the key sectors of industry in the city. This was most likely caused for a number of reasons. For example, many complexes built for textile production in the interwar period were still intact. Also, from the early s the industry had been closely tied to the research and development carried out svorio metimo hoover al the Kaunas Textile Industry Institute.

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Later, textile companies were obliged to work with various law enforcement structures, providing products for both military and specialised needs. Viltė Migonytė-Petrulienė Historical material collected, and texts for textile routes www. Jo praeitis, dabartis ir ateitis.

Pietų paplūdimio dietos komplikacijos Abs svorio prarasti diržas Laikantis citrinų,ananasų ir baltymų dietos iš mitybos išmetami angliavandeniai ir riebalai. Neišsigąskite, būtent dėl to, jog tai yra organizmui būtinos maisto medžiagos, šios dietos.

Vilnius: Valstybinė politinės ir mokslinės literatūros leidykla,p. Gilios amatininkystės tradicijos mieste siekia dar XVI a.

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Šiose nedidelėse įmonėse gaminti lininiai, vilnoniai bei dekoratyviniai audiniai. XIX a. Kauno senamiesčio teritorijoje pagausėjo trikotažą, audinius, vataliną gaminančių amatininkų, siuvyklėlių, skrybėlių gamyklėlių, kuriose naudotos vietinės žaliavos. Gertrūdos ir Birštono gatvėse. Šiame sektoriuje tuo metu dirbo tik apie darbininkų. Nors istoriškai tekstilės pramonės pradžia yra siejama su ankstyvaisiais Naujaisiais laikais, vis dėlto jos suklestėjimo laikotarpiu galima laikyti XX amžių.

Pirmasis etapas buvo tarpukariu. Pirmąjį Nepriklausomybės dešimtmetį sostinėje Kaune pradėjo kurtis ne tik valstybinės įstaigos, bet ir naujos pramonės įmonės. Jos tuo metu užsiėmė vietinės ir atvežtinės žaliavos perdirbimu, o stambesni fabrikai kurti tik atstačius ir suremontavus sugriautus pastatus. Gamybos atkūrimo procese tapo aišku, kad reikia orientuotis į kitus prioritetinius tikslus — koncentruotis ne į karo pramonę, o kurti industriją, tenkinančią augančios taikios visuomenės poreikius.

Svorio metimo hoover al Lietuva savo gamtinių išteklių neturėjo, natūraliai pradėjo vystytis lengvoji ir perdirbimo gamyba, kaip antai, vilnos ir linų apdirbimas. Įdomu, kad m.

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Kaune jau veikė smulkios įvairių amatininkų įmonėlės, kuriose dirbo ne daugiau kaip 5 darbininkai, o m. Galima manyti, jog tokį staigų gamybos produktų tarp jų ir tekstilės šuolį nulėmė palanki valstybės pozicija. Lietuvos vyriausybė laikėsi protekcionistinės muitų politikos, tekstilės gaminiams nustatyti dideli įvežimo muitai, o žaliavai — maži.

Vyriausybė ėmėsi priemonių stabdyti importą, kad visai nebūtų išvežti Lietuvos pinigai. Nepaisant pasaulinės krizės, kuri palietė ir to meto Lietuvą, — m. Tekstilės pramonė, kuri visa įsikūrė nepriklausomoje Lietuvoje, sugebėjo užimti gana svarbią vietą krašto ūkio apyvartoje.

Lietuvoje veikė 74 tekstilės ir trikotažo gamyklos, kuriose dirbo darbininkai.